Aww Man is an internet radio show hosted by Rory Hinchey, which also books concerts in Prague for musicians who play unusual music.
The next live radio show is scheduled for March 22, 2026 at 11:00 CET with an in-studio performance by LÁZ . The streaming page (which launches in a new window) cycles through a limited number of archived shows otherwise.
The playlists section below has links to all recorded editions of the show in downloadable .mp3 format, shows are available as podcasts on Apple Podcasts, Amazon Music, and TuneIn.
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Under The Skin Film Better !full! <2024-2026>
A central theme of the film is the inversion of the traditional "male gaze". Scarlett Johansson’s character, the "Female," begins as a calculated predator who views men purely as biological resources.
by shifting the focus from the alien’s cold observation of humanity to a more visceral, internal conflict regarding her stolen identity.
At its core, "Under the Skin" is a film about humanity and identity. The Alien's journey is a metaphor for self-discovery, as she navigates the complexities of human emotion and connection. Through her interactions with the men she encounters, she begins to understand the nature of relationships and intimacy, and her own existence is called into question.
From its very first frames, Under the Skin establishes a unique visual and auditory language. The film opens not with characters or plot, but with an abstract sequence of shapes and lights coalescing into a pupil, effectively showing the alien "Laura" learning to see. This commitment to pure, sensory cinema continues throughout. Director Jonathan Glazer has crafted a film that is "pure, intoxicating cinema," telling its story through Daniel Landin's graphic cinematography and Mica Levi's indelible score rather than through dialogue or conventional narrative beats. under the skin film better
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The audience shares the confusion and vulnerability of the prey.
The film is also a masterwork of body horror. The scenes in the alien's lair—a black, featureless void where victims sink into a viscous, amniotic fluid—are nightmarish and visually stunning. The "cycle of undressing" as the men are stripped of their humanity is a powerful and disturbing deconstruction of the male gaze and sexual violence. It is a film that "refuses to concern itself with traditional genre or even narrative conventions," making it a unique and bracing experience for a viewer accustomed to the predictable rhythms of Hollywood storytelling. A central theme of the film is the
While adapted from Michel Faber’s acclaimed 2000 satirical novel of the same name, Glazer’s cinematic vision strips away the book's explicit worldbuilding to create something entirely different. By abandoning the source material's heavy exposition, the film transcends its sci-fi premises to become a profound, visual meditation on loneliness, empathy, and what it actually means to be human.
If you find the movie confusing, reading about Michel Faber’s original novel can provide "logical" context that the film intentionally omits (like why the men are being harvested).
This spark of empathy breaks her programming. When she looks into a mirror later in the film, she is no longer checking her disguise; she is actively searching for a soul beneath the plastic flesh. Masterful Visual Storytelling Over Dialogue At its core, "Under the Skin" is a
Many of the men Johansson interacts with in the van were not actors; they were real citizens unaware they were being filmed for a movie. This experimental approach injects a layer of documentary realism that literature simply cannot replicate.
The physicality of her performance is key. One reviewer noted that her stumbling, human gait and the way she doesn’t know what to do with her hands are not flaws but the core of her alien authenticity; she is learning to inhabit a body, to experience touch and pleasure and fear for the first time. Her transformation from a detached predator to a creature consumed by the very empathy she was sent to exploit is a breathtaking high-wire act of subtlety and power.
One of the most astonishing production choices in the film—and the primary reason it feels more “real” than any scripted movie—is Glazer’s decision to use hidden cameras and non-actors for the van sequences.
Glazer trusts his audience completely, relying on visual storytelling to convey complex themes.
The film relies on "sensory" experiences rather than a traditional script. Much of it was filmed using hidden cameras on the streets of Scotland, capturing real, unscripted reactions from people interacting with Johansson’s character. A True Alien Perspective:
