: Serving as an Associate Lecturer in the History of Art.
He has also held teaching positions at the University of Sussex and Birkbeck, University of London, and has been involved in coordinating major academic projects for journals like Art History Wiley Online Library or more details on one of his published papers INTRODUCTION: ABOUT STEPHEN BANN - CHERRY - 2005
He focuses on how domestic spaces were represented in art, providing insights into the daily lives and social structure of the British in India. Significance of Studies
His book, Colonial Self-Fashioning in British India , serves as the cornerstone of his academic legacy, challenging simplistic narratives of colonial history and providing a model for sophisticated visual analysis. Through his unwavering focus on placing art within its broader social, political, and cultural contexts, Dr. de Silva has carved out a unique and important niche in the study of British visual culture. He stands as a prime example of the dedicated scholar-educator, one whose work enriches academic debate and brings the power of art history to a wider public, ensuring that the complex stories encoded in visual images are not forgotten. prasannajit de silva
From completing his doctorate in 2007 to becoming a sought-after speaker for The Arts Society , Dr. Prasannajit de Silva has dedicated his career to the "Visual Culture and British India".
: A former Vice-Chancellor of Uva Wellassa University and professor of Geo-informatics.
Dr. Prasannajit de Silva stands out as a scholar who effectively utilizes . Whether he is analyzing a 19th-century oil painting of an Anglo-Indian household or assessing modern community water behaviors, his methodology relies on decoding the underlying power structures, cultural blendings, and human identities hidden within the subject. His versatile body of work remains highly influential for students of imperial history, art history, and South Asian social studies alike. : Serving as an Associate Lecturer in the History of Art
Following his doctoral research, de Silva established himself as a versatile educator in the United Kingdom. He specializes in lecturing on 18th- and 19th-century British art, bringing critical historic perspectives to modern students. His notable teaching appointments include:
Dr. Prasannajit de Silva is a distinguished art historian and public lecturer whose work offers a vital and nuanced perspective on British art and its global entanglements. While his name may not be a household word, his influence is felt through his rigorous scholarship, his dedicated teaching at institutions like Birkbeck and the University of Sussex, and his engaging public lectures for the Arts Society and the WEA.
Second is his focus on . His book, as its title suggests, is centrally concerned with how the British in India visualized their identity and how they distinguished themselves from both the British at home and the Indian people around them. He explores how visual culture was used to assert, negotiate, and sometimes complicate these markers of identity. Through his unwavering focus on placing art within
: Recognized for providing valuable manuscript comments on research regarding Chronic Kidney Disease (CKDu)
Beyond billable hours, Prasannajit de Silva has been a champion of . He has been an active member of professional bodies such as the Bar Association of Sri Lanka and the Institute of Chartered Accountants (as an invited resource person). His lectures on "Directors’ Duties and Liabilities" are considered mandatory listening for new corporate board members.
De Silva explores "Anglo-Indian hybridity," investigating how British individuals adopted indigenous culture—a phenomenon often referred to as "going native". His research analyzes portraits and visual renditions of British households, including the portrayal of native mistresses and "bibis," to understand the social complexities and power dynamics of the time.