การรันแบบปกติ ตอนรันโปรแกรมให้คลิกขวาไอคอนที่ต้องการรัน แล้วเลือก Run as administrator ตามภาพ

การรันแบบสร้าง Shortcut ตอนเปิดเครื่อง ในกรณีที่ต้องการสร้าง Shortcut ตอนเริ่มการทำงานด้วยในโฟลเดอร์ Startup หลังจากสร้าง Shortcut แล้วให้คลิกขวา แล้วเลือก Properties หลังจากนั้นเลือกตามภาพ
| ฮาร์ดแวร์ | %CPU | %RAM | %GPU | %GPU RAM | อุณหภูมิ GPU |
|---|---|---|---|---|---|
+![]() | done | done | done | done | done |
+![]() | done | done | done | speed | done |
+![]() | done | done | not_interested | not_interested | not_interested |
หมายเหตุ
done = ทดสอบแล้วใช้งานได้You notice the rapid, "instinctive growth" of the city, with modern residential towers rising alongside traditional markets.
If you weren't asking about the TV show, you might be looking for: 'Tehran' Review: Israel vs. Iran, Retold as a Spy Thriller
Living in Tehran for four years means experiencing extreme highs and lows. You experience the profound warmth of a culture where strangers will invite you to their home for dinner simply because you look lost. You also experience the collective anxiety of a resilient, highly educated population navigating economic instability and political uncertainty.
Three months in, the city transformed. The air cleared. Every street corner bloomed with Haft-Seen tables. For two weeks, Tehran empties out. The gridlock vanishes. Suddenly, you understand: Tehran is not a winter city. Tehran is a spring city. I was invited to a stranger’s house for Sizdah Bedar (Nature’s Day). The family fed me kuku sabzi (herb frittata) and made me tie blades of grass into knots to wish away bad luck. That night, crying in my tiny apartment in Tehranpars, I realized I wasn't going to die here. I was going to live here. 4 Years In Tehran
4 Years In Tehran is a popular adult-oriented visual novel and interactive RPG created by the developer Monia. The game has gained a following for its storytelling and regular content updates, currently reaching version 0.7 as of late 2024. Game Overview Monia - Patreon Monia * Home. * Chats. * Shop. Monia - Patreon
In the crowded genre of Iranian exile memoirs, 4 Years in Tehran distinguishes itself not through grand geopolitical revelations, but through its almost unbearably quiet intimacy. Written by an author who lived through the aftermath of the 1979 Revolution as a young adult, this book is less a historical textbook and more a diary of slow suffocation.
To understand Tehran, you must understand its incline. The city is built on a slope, tilting downward from the snow-capped Alborz Mountains in the north to the flat, arid desert plains in the south. This geographical tilt is also a socio-economic one. In the first year, you learn the geography. You notice the rapid, "instinctive growth" of the
To live here for four years is to be invited behind the curtain. You quickly learn that what happens on the street is merely a facade; the true cultural, intellectual, and social life of Iran thrives indoors. Driving, Smog, and Survival
Your budget might look something like this:
: As you move south toward the Grand Bazaar, the air thickens, the streets narrow, and the atmosphere shifts to a traditional, working-class hustle. You experience the profound warmth of a culture
Despite the veneer of everyday life, the city is marked by deep economic struggles. Four years in Tehran reveals a middle class enduring widespread economic problems as a "new normal" under sanctions. According to reports, many Iranians have learned to "make do with less and put dreams on hold" due to years of sanctions, mismanagement, and corruption.
I learned quickly: never make eye contact with a driver. Just walk with confidence, like an existentialist, and hope the universe parts for you. It usually does. Tehranis have elevated jaywalking to a performance art.
Four years in Tehran teaches you that a city can be simultaneously frustrating and enchanting, conservative and rebellious, ancient and fiercely modern. It is a place that defies easy categorization—a city that must be lived in, breathed, and loved over time to be truly understood.
Four years in Tehran taught me that resilience is not loud. It is a woman adjusting her headscarf in a rearview mirror while blasting Metallica. It is the old man watering the single rose bush growing through a crack in the revolutionary mural. It is the bazaari closing his shop early to watch his daughter graduate from engineering school.
Erdbrink’s access allowed him to document the stark differences between the public and private spheres. While the world often sees images of political demonstrations and conservative clerics, the film shows a population that is often at odds with its leaders, yearning for normalcy, and exhibiting a resilience that is particularly striking given the country’s isolation.