Woodwind Instrumentation Codes

Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:

Description	Price
Rimsky-Korsakov Quintet in Bb [1011-1 w/piano] Item: 26746	$28.75

The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute, the second for Oboe, the third for Clarinet, the fourth for Bassoon, and the fifth (separated from the woodwinds by a dash) is for Horn. Any additional instruments (Piano in this example) are indicated by "w/" (meaning "with") or by using a plus sign.

Flute   Oboe   Clarinet   Bassoon   —   Horn

This woodwind quartet is for 1 Flute, no Oboe, 1 Clarinet, 1 Bassoon, 1 Horn and Piano.

Sometimes there are instruments in the ensemble other than those shown above. These are linked to their respective principal instruments with either a "d" if the same player doubles the instrument, or a "+" if an extra player is required. Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:

0,2+1,0,1-0

Note the "2+1" portion means "2 oboes plus english horn"

Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

• Duo - Flute & Clarinet - or [1010-0]
• Trio - Flute, Oboe & Clarinet - or [1110-0]
• Quartet - Flute, Oboe, Clarinet & Bassoon - or [1111-0]
• Quintet - Flute, Oboe, Clarinet, Bassoon & Horn - [or 1111-1]

Brass Instrumentation Codes

Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:

Description	Price
Copland Fanfare for the Common Man [343.01 w/tympani] Item: 02158	$14.95

The bracketed numbers tell you how many of each instrument are in the ensemble. The first number stands for Trumpet, the second for Horn, the third for Trombone, the fourth (separated from the first three by a dot) for Euphonium and the fifth for Tuba. Any additional instruments (Tympani in this example) are indicated by a "w/" (meaning "with") or by using a plus sign.

Trumpet     Horn     Trombone   .   Euphonium     Tuba

Thus, the Copland Fanfare shown above is for 3 Trumpets, 4 Horns, 3 Trombones, no Euphonium, 1 Tuba and Tympani. There is no separate number for Bass Trombone, but it can generally be assumed that if there are multiple Trombone parts, the lowest part can/should be performed on Bass Trombone.

Titles listed in our catalog without bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

• Brass Duo - Trumpet & Trombone, or [101.00]
• Brass Trio - Trumpet, Horn & Trombone, or [111.00]
• Brass Quartet - 2 Trumpets, Horn & Trombone, or [211.00]
• Brass Quintet - 2 Trumpets, Horn, Trombone & Tuba, or [211.01]
• Brass Sextet and greater - No Standard Instrumentaion

People often ask us about "PJBE" or "Philip Jones" instrumentation. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. It consists of the forces 414.01, and often includes Percussion and/or Tympani. In addition, there are often doublings in the Trumpet section - Piccolo and Flugelhorn being the most common. While this instrumentation has come to be common, it is still not "Standard" as many Brass Dectets use very different forces, most often with more Horns than PJBE.

String Instrumentation Codes

Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:

Description	Price
Atwell Vance's Dance [0220] Item: 32599	$8.95

These numbers tell you how many of each instrument are in the ensemble. The first number stands for Violin, the second for Viola, the third for Cello, and the fourth for Double Bass. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual 2110. Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

• String Duo - Viola & Viola - [1100]
• String Trio - Violin, Viola, Cello - [1110]
• String Quartet - 2 Violins, Viola, Cello - [2110]
• String Quintet - 2 Violins, Viola, Cello, Bass - [2111]

"When Harry Met Sally" is a classic romantic comedy directed by Rob Reiner, released in 1989. The film tells the story of two friends, Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan), who meet on a road trip from the University of Chicago to New York City. Over the years, they develop a deep and complex friendship that evolves into something more.

: The story follows Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) through three distinct chance encounters over a decade. This slow-burn progression allows their relationship to feel grounded in genuine friendship before evolving into romance.

The film’s legacy lies in its realism. It stripped away the melodrama of 1980s cinema to focus on the mundane but vital parts of intimacy: late-night phone calls while watching the same movie, the awkwardness of post-breakup dating, and the realization that the person you've been venting to is actually the person you love. Conclusion When Harry Met Sally

This reimagined version of When Harry Met Sally stays true to the original while incorporating the sights, sounds, and spirit of 1989. The result is a charming, witty, and romantic film that explores the complexities of friendship, love, and relationships in a bygone era.

The movie's influence can still be seen today, with many regarding it as one of the greatest romantic comedies of all time. The film's iconic scenes, such as the "I'll have what she's having" moment at the diner, have become ingrained in popular culture.

[1977: The Road Trip] ➔ [1982: The Airport Encounter] ➔ [1987: The Bookstore Metamorphosis]

Opposite him, Meg Ryan is nothing short of revolutionary as Sally Albright. She defied the typical female romantic lead of the era, creating a woman who is strong, particular, and unapologetically herself. Sally is neurotic in her own way—famously taking an hour-and-a-half to order a sandwich—but she is never weak. Ryan’s performance is a perfect balance of feisty independence and aching vulnerability. Her Sally is not waiting to be completed by a man; she is trying to figure out if a man is worthy of the life she has already built. The palpable chemistry between Crystal and Ryan is the engine that drives the entire film, making every verbal sparring match and quiet moment of connection feel utterly authentic.

The scene is a comedic masterpiece of timing, vulnerability, and social embarrassment. The punchline, delivered by a nearby diner (played by Rob Reiner’s real-life mother, Estelle Reiner)— "I’ll have what she’s having" —is widely considered one of the greatest movie quotes of all time. The scene challenged contemporary cinematic taboos surrounding female sexuality while delivering unparalleled laughs. New York City as a Living Character

The film is punctuated by real-life stories of elderly couples describing how they met. These vignettes ground the fictional romance in a sense of timeless, real-world magic.

Reiner cast his mother, Estelle Reiner, to deliver the iconic line, “I'll have what she's having,” during Meg Ryan's famous deli s...

When Harry Met Sally isn’t about finding “the one” – it’s about realizing that the person you argued with for twelve years might have been the one all along, once you both grew up enough to see it.

The famous "interviews" with real-life elderly couples woven throughout the film serve as the thesis: despite the bickering, the arguments, and the fear, love does last. It just takes a long time to get it right.

While the script provides the foundation, the chemistry of the cast brings the story to life. Core Dynamic & Significance Harry Burns

The turning point arrives when Harry comforts a weeping Sally after she learns her ex is getting married. In a moment of vulnerability, they sleep together. The aftermath threatens to destroy their bond, leading to a painful estrangement that culminates in one of the most famous New Year's Eve climaxes in cinematic history. The Creative Genius Behind the Camera

“When you realize you want to spend the rest of your life with ...

The punchline—"I’ll have what she’s having"—has become the most quoted line in rom-com history. But in 1989, this scene was seismic. Romantic comedies did not talk about faking orgasms. They did not show women claiming sexual pleasure so loudly and so publicly. Nora Ephron’s script weaponized female desire, turning a private act into a public matter of fact. It broke the fourth wall of social etiquette and allowed women to laugh at the absurdity of male ego.