Brass 2000 Tras ((top)) | Trasgredire Cheeky Tinto

A chronological overview of influential Italian directors from the late 20th century.

The film remains a subject of study for those interested in the evolution of cult cinema and the works of Tinto Brass. It represents an unapologetic celebration of adult freedom and provides a window into a specific period of Italian film history where humor and bright aesthetics were used to explore social taboos.

The story follows Carla (played by Ukrainian-born actress Yuliya Mayarchuk), a free-spirited, gorgeous young Venetian woman who moves to London. Her goal is to settle in, find a job at a hotel, and secure an apartment so her possessive boyfriend, Matteo (Jarno Berardi), can leave Venice and join her.

Exploring the filmography of Tinto Brass or examining the cinematic style of early 2000s Italian dramas provides further context for this work. trasgredire cheeky tinto brass 2000 tras

Beyond its surface, Trasgredire is a feast for the eyes and the ears:

Upon its release, Trasgredire received mixed but generally favorable reviews from critics, with a consensus that it succeeded in its goals as a lighthearted erotic comedy. On IMDb, the film holds a rating of . Critics noted the film's infectious energy and visual beauty. One reviewer praised it as "the best of Tinto Brass's such outings," calling it "bright, cheery, pretty and very sexy". CinemaParadiso.co.uk called it "subtler and more philosophical than the average sex romp" and "a genuinely moving look at problems arising when a desire to remain scrupulously faithful collides with the lure of baser instincts".

The contrast between the modern, bustling streets of London and the timeless, winding canals of Venice provides a rich visual texture. The story follows Carla (played by Ukrainian-born actress

At first glance, the keyword "trasgredire cheeky tinto brass 2000 tras" may seem like a jumble of unrelated words. However, upon closer examination, it reveals itself to be a fractured but evocative reference to a specific piece of cinematic history: the 2000 Italian erotic comedy , known in English as Cheeky!

: The cinematography utilizes wide-angle lenses and mirrors to celebrate human vitality and the female form, consistent with the director's established visual style.

Through Justine's journey, the film challenges traditional notions of femininity and masculinity, blurring the lines between active and passive, dominant and submissive. The result is a film that is both thought-provoking and wildly entertaining, a true masterpiece of erotic cinema. Beyond its surface, Trasgredire is a feast for

Violante (played by Sonia Braga in some versions; note: different releases have different principal actresses listed—see casting section) marries a wealthy, older man and then becomes involved with a younger lover. The story unfolds as a mix of deliberate erotic episodes, emotional confrontations, and reflective interludes, exploring the limits of marital fidelity and personal freedom. Brass frames the narrative episodically, often privileging mood, spectacle, and erotic set-pieces over tight plot mechanics.

(released internationally as Cheeky ) remains one of the most defining works in the late-career filmography of Italian erotic maestro Tinto Brass. Released in 2000, this cinematic piece perfectly captures the turn-of-the-millennium aesthetic while pushing the boundaries of mainstream erotic cinema. The film serves as a vibrant exploration of female sexual liberation, voyeurism, and the colorful, uninhibited world that Brass spent decades constructing. The Plot and Themes of Trasgredire

(released internationally as Cheeky! ) is a 2000 Italian erotic comedy directed by Tinto Brass , known for its lighthearted, highly graphic approach to human sexuality. Plot Summary

The Italian verb “trasgredire” means “to transgress” or “to break the rules.” In Brass’s universe, transgression is not sin — it is health. The film’s soft philosophical core argues that rules around sex (jealousy, monogamy as obligation, shame) are cultural constructs that can be dismantled with a smile. Unlike the confrontational transgression of, say, Pasolini’s Salo , Brass’s transgression is sun-drenched and giggling.